What a lovely philosophical book!
Instead of blindly following ways of thinking inherited from generations of other scientists, Lewontin rethinks evolution and development.
This is science criticism, but not in a sweeping, bitter way. Rather, it is subtle criticism of details that have a great effect on how we think about established dogmas like “DNA makes proteins” and “organisms adapt to fit their environments”.
The three main parts of this book discuss how the trinity of genes, organism and environment all act as cause and effect in relation to each other.
This is a warning to Mind Your Metaphors, and not let human perception alter the questions we ask of science (as, for example, in the issue with the evolution of the chin) and then fit the answers we receive into categories we can understand.
“It is easy to be a critic”, Lewontin says, but he does it so well! His arguments are extremely well structured and when he explains how physical signals of the outside world determine the life of an organism “like shadows on the wall, passed through a transforming medium of its own creation”, it is logical as well as poetic.
He talks about some cool quirks of evolution, like this one:
“The time between the origin of a species and the time that a mutation of just the right sort occurs and reaches a high enough frequency to be significant in the selective process is of the same order as the total lifetime of the species”, so that most possibly beneficial mutations are never seen.
We shouldn’t ask what a certain feature is “good for” and instead realise that often it is due to the meandering nature of evolutionary progress.
The style of writing is quite personal, despite the abstract topics, and asides like the philosophical musings about avoiding maybe a few but never all causes of death make this a really enjoyable book, that I felt good for reading.
Even if I don’t know if I personally can take on his advice and practise better science for it, Lewontin makes that seem desirable.
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